Intruders (2011) [Blu-ray]
Horror | Thriller

The nightmare is real. From visionary filmmaker Juan Carlos Fresnadillo (28 Weeks Later), Intruders is the chilling story of two children living in different countries, each visited nightly by a faceless being who wants to take possession of them. Though no one can see him, Hollow Face lurks in the corners, desperately desiring love but only knowing how to spread fear and hate. He creeps into the life of John Farrow (Clive Owen) after Farrow's beloved 13-year-old daughter Mia (Ella Purnell) is assaulted in their home. The line between the real and the imaginary blurs as fissures start to open within the family unit. It seems that no security measure can keep Hollow Face out.

Storyline: In Madrid, the boy Juan is terrified by the monster Hollowface and his mother is unable to protect him so summons Father Antonio to exorcise the monster from their lives. In London, the construction worker John Farrow is very close to his teenage daughter Mia. One day, Mia is spending the day at her grandparents' house in the countryside with her mother Susanna and she finds a box with the story of Hollowface hidden in a tree. Soon Mia sees the monster Hollowface in the closet of her bedroom and John defends her. When they are attacked for the second time, the security camera that John has installed does not show any intruder. Are Mia and John delusional? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Reviewer's Note: Reviewed by Martin Liebman on June 30, 2012 -- It was only a nightmare. --- It's been too long since Director Juan Carlos Juan Carlos Fresnadillo has stepped behind the camera. His last outing came with 2007's 28 Weeks Later, the slickly-crafted and entertaining follow-up to Director Danny Boyle's superb 28 Days Later. That gap between pictures is simply too long for a director of Fresnadillo's skill. His latest, the Clive Owen (The International)-starring Chiller Intruders, lacks thematic heft and a tight script, but Fresnadillo turns a rattly Horror story into an wonderfully atmospheric and involved little picture that overcomes its shortcomings with a good bit of flair and directorial know-how. Despite a fairly convoluted plot that, even when it sorts out the specifics in the final minutes, almost demands audiences re-watch with the ending in mind to truly get a grasp on the who's, what's, when's, where's and why's of the story, the movie plays the first time through with a confident air, solidified by that intoxicatingly moody direction and convincing performances that keep the movie flowing even if the story never quite finds that air of importance or that influx of intensity to really build Intruders into the complete picture it so desperately wants to be and should have been.

In Spain, young Juan (Izán Corchero) lives with his mother Luisa (Pilar López de Ayala). He's penning a scary nighttime story but leaves it incomplete. He's later that night startled to learn that monsters are, indeed, very much real. He and his mother and haunted and hunted by a faceless, towering figure known as "Hollowface," a creature in search of a face to steal and call its own. Luisa seeks spiritual help for Juan, but it appears that the monster exists beyond the scope of aid the church may provide. Meanwhile, in England, young Mia (Ella Purnell) unearths a handwritten ghost story, rewrites it in her own hand, and passes the work off as her own in front of a captivated classroom. The story is that of Hollowface, the same creature which troubles Juan. Mia befalls the same fate as the little boy from Spain. The monster stalks her, and her father John (Owen) physically and emotionally fights the beast alongside her. But mother Susana (Carice van Houten) believes the problem runs deeper, that both her husband and daughter are suffering from psychological -- imagined -- problems and are not, in fact, battling a faceless being. Security is increased and doctors are consulted, but can both families find the truth behind the Hollowface figure before either -- or both -- child falls victim to it?

The story of Intruders spans borders, genders, actions, responses, and another critical element that shall remain nameless. Shared amongst these otherwise separate peoples and places is the common enemy, the mysterious "Hollowface," the classic monster in the closet, creature under the bed, the hulking, terrifying shape that comes in the night with a remorseless presence to terrify little kids, and worse. Intruders is built around the classic nightmare nighttime tale of evil that, as Metallica might say, leaves youngsters sleeping with one eye open and gripping that pillow tightly. This is literally the story of the boogeyman incarnate, but the main attraction isn't the adversary but rather how he exists and why he stalks these two seemingly unconnected and distant children who share not the same home, sex, or anything superficially obvious. As the story develops, it never quite seems to find a thematic rhythm, to tell its story with the exactness it requires to truly sort out by the end. Even as the final minutes do much of the legwork in spelling out the truth, the movie actually works better in hindsight a second time through with an understanding of where it's headed -- how and why -- than it does in the first viewing when the audience is armed only with the passing knowledge, not the understanding of the greater whole. That's a blessing and a curse, in a way; a blessing in that the movie almost demands a second watch, a curse meaning that the narrative isn't quite as polished as it probably should be. Still, Intruders makes a worthwhile watch whether on the first or the second, thanks largely to the moody, precise direction and skillful acting.

Intruders is the beneficiary of Fresnadillo's organic, fluent direction. The picture makes wonderful use of shadow, subtle movement, mood, and film mechanics to milk the story for all its worth. The dichotomy between Spain and England and darkly religious overtones and glossier, more modern methods of combat is stark, but visually balanced. Even when the film fails to fully submerge its audience into the specifics of the plot and the interesting juxtapositions that exist, Fresnadillo makes the transition from one to the next an effortless one. The film oozes not necessarily style -- it's subtle and tasteful, not exotic and artistic -- but rather confidence and professionalism. It's a fine example of a movie aided greatly by pinpoint, effortless scary movie filmmaking, not dissimilar in that way to Let Me In, though certainly that movie's darker underbelly and tighter, more gripping story elevate it greatly above Intruders. Still, Intruders follows suit in its fundamentally sound façade, rising above the typical dark Horror movie set against the world of fairy tales and childhood horrors, Fresnadillo's picture a shadowy, alluring tale made with a sure hand. The cast is fantastic, too, elevating the picture beyond the somewhat convoluted story and shaping real characters with whom the audience may both sympathize and, thanks also to the direction, experience their fears, doubts, uncertainties, and relationships. Ella Purnell shines as the frightened, troubled, and traumatized female victim, while Izán Corchero turns in an equally powerful, moving, and intense effort as the male victim of Hollowface's menacing presence. Clive Owen's effortless, natural turn as Mia's father captures the spirit of a man working to protect his family at all costs, but it's the nuance -- which takes shape at film's end -- that sells the performance and enhances it upon repeat viewings. There's an evident rapport between the cast, those within their own halves of the picture, at least, which also elevates the material and yields a more stable, believable foundation even up against the otherwise unbelievable stuff of scary storybooks come to life.

Intruders isn't in the same league as Let Me In or other dark, terrifying children-and-monsters tales, but it's a remarkably well crafted and equally well acted picture that works through an occasionally sluggish and confused narrative and elevates the movie both on the first viewing and the critical second. Indeed, the movie demands a second watch, and proves better the second time around, for it plays better looking for nuance than it does waiting for the reveal. Juan Carlos Fresnadillo demonstrates -- again -- a fabulous eye for cinema, and his next project comes eagerly awaited. Millennium's Blu-ray release of Intruders features exceptional video and stellar audio. The supplemental package is scant, but this release nevertheless comes recommended.

[CSW] -1.4- Very uneven horror film is well-shot with a capable cast, and manages a handful of effective sequences. But the clunky plot fails to generate any kind of momentum, leaving the whole thing just sort of dull and forgettable. The atmosphere was horror, but the special effects and story were weak. There are sufficient bumps in the night to keep the scare on going. However, the tension is not enough to make this a good horror flick and the ending was a letdown. You can skip this one even when it comes on TV.
[V4.5-A4.5] MPEG-4 AVC - No D-Box.


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